Title Studio: Working With Deformers

Title Studio

In this section we will cover the various tabs and parameters that are available in Title Studio when Deformers are applied to an object. Deformers are effects in Title Studio that allow you to distort or warp a 3D Container or Shape track to create dynamic effects in otherwise flat objects.

 

DeformersBendTwist

Deformers that come factory installed with Title Studio are:

  • Bend-Taper-Twist: Lets you bend the image back, taper or stretch the side edges, or twist the right and left sides.
  • Curl: With this deformer you can curl or roll a 3D Object
  • Flatten: Allows you to compress a 3D Object into a 2D Object. It can also be used to further extrude 3D Objects.
  • Mesh Chaos: Creates unique water-like ripples and distortions to stretch and deform an object.
  • Mesh Shatter: Allows you to shatter and break apart 2D and 3D objects.
  • Model Displacer: Displaces pieces of an object, allowing you to control how the various pieces dispurse.
  • Pre-Transform: Offsets the position of an object in 3D space
  • Pulse: Creates a pulsing effect that can simulate continuious breathing or more elastic expansion and contraction of an object.
  • Ripple Z Rings: Creates ripples in z-space along an object that simulate the motion of a flag blowing in the wind, or ripples on the surface of water.
  • Slice/Stretch: Allows you to slice or stretch a 3D Object at a specific point and manipulate the position of each piece.
  • Un-Deform: Allows you to specify a region where previously applied deformers are suppressed.

Applying a Deformer

Deformers can be applied to either the Shape Track or the Scene Container itself. Deformers applied to a scene container will affect everything within that container, while deformers applied to a specific shape track will only affect that track. You can drag a deformer form one Shape Track to another if you want to move the effect to a different object. Likewise, it is also possible to copy and paste a deformer from one shape track to another.

The first thing you will need to do is create a new scene container with at least one shape track.

  1. Select the track you would like to apply the deformer to. For example a text layer or extrusion.
  2. From the Shaders menu drop down, select the deformer you would like to add. NOTE: Deformers may only be applied to the main track. If you have selected the material or transform tracks, the deformers will be grayed out.
  3. When applied, a new deformer track will be nested inside of your shape track. NOTE: This new track will automatically be assigned the name of the specific deformer but can be renamed by selecting the track and pressing enter.
  4. Effect parameters and attributes will appear in the controls tab whenever the deformer track is selected. The available parameters depend on which deformer you use.

By adjusting the various parameters and setting keyframes, you can create unique animations.

 

Bend-Taper-Twist:

With Bend-Taper-Twist we can bend the image back, taper or stretch the side edges, or twist the right and left sides.

BTTControls

Effect Order allows us to set the priority of the deform order. By default the effect will be bent, then tapered and finally twisted. By adjusting the order from the dropdown menu, we can create subtle alterations in the effect, by, for example bending after a taper effect has been applied.

Bend Strength bends or stretches the source image. Set to 0, the image is unchanged. Increasingly negative values bend the image more and more back from the center. Positve values stretch the image.

Bend-strength

A Bend Strength value of -20 bends the object backwards, while a Bend Strength value of 20 bends it forward.

Bend Radius determines the tightness of the bend. Higher values will create a more pronounced bend, while lower values will flatten out the image.

bend radius

 

Left Taper squeezes or expands the left edge of the image. Set to 0, the image is unchanged. Values greater than 0 expand the left edge of the image vertically. Values less than 0 squeeze the left edge of the image, tapering off to a point.

Right Taper squeezes or expands the right edge of the image. Set to 0, the image is unchanged. Values greater than 0 expand the right edge of the image vertically. Values less than 0 squeeze the right edge of the image, tapering off to a point.

Taper

Left Taper Value = 2, Right Taper Value = -2

 

Left Twist twists the left side of the image.

Right Twist twists the right side of the image.

twist

 

By adjusting the Center X, Center Y and Center Z parameters we can move the position of the deform effect along the X, Y and Z planes.

 

 

Curl

As the name suggests, the Curl Deformer can be used to curl or “roll up” an object. The curl can be animated to show an object unrolling, or the parameters can be adjusted to credte unique folds and bends. Unlike Bend-Taper-Twist, the curl deformer does not curl in multiple directions at once.

curl

Direction allows us to determine what direction in 3D space the object will curl when using the Curl deformer. It provides a number of direction options that allow for creating unique effects.   The available options specify what edges of the object are curled along which 3D axis.

  • Guess: gives a commonly desired result by curling along the longest axis in the direction of the shortest axis
  • Guess 2: curls along the longest axis in the direction of the second shortest axis
  • Left/Right + Y: Curls the left or right edge along the Y axis.
  • Left/Right + Z: Curls the left or right edges along the Z axis.
  • Top/Bottom + X: Curls the top or bottom edge along the X axis
  • Top/Bottom + Z: Curls the top or bottom edge along the Z axis
  • Front/Back + X: Curls the front or back edge along the X axis
  • Front/Back + Y: Curls the front of back edge along the Y axis

curl direction

The Reverse Direction checkbox reverses the direction of the curl in terms of which edge (Left, Right, Top, Bottom) begins the curl. For example a Left/Right curl begins on the right edge and moves left by default but it begins on the left edge and moves right with the Reverse Direction checkbox enabled.

Curl 1 and  Curl 2 parameters define a primary and a secondary curl when changed from their default values of zero, with positive values curling the edge of the object forward and negative values curling the edge back in 3D space.

The Tightness parameter tightens or loosens the Curl(s) by increasing or decreasing the size of cylindrical area(s) the object is rolled into as it is curling. A higher Tightness value rolls the object into a smaller cylinder while larger values roll it into a larger cylinder, with more or less of the object rolled farther into the cylinder depending on its size.

The Midpoint parameter will only seem to have an effect if Curl 2 is changed from its default to create a secondary curl. In this case Midpoint determines the positioning of Curl 2 in relation to Curl 1

The Amount parameter offers a way to control the overall progression if the curl effect in a single parameter. This allows for easy creation of animated curl effects where an object rolls or unrolls over time. The Amount parameter defaults to a value of 70 (rather than zero) so that the preceding parameters can be adjusted to design the curl while the effect is visible. For many commonly desired effects the Amount parameter will be animated over time in the final effect. For example in order to have an object begin as curled and to unroll to its un-curled state over time the Amount parameter is animated from some higher number back to zero. And in order to have an object begin un-curled and roll up over time the Amount parameter is animated from zero to some higher number.

The Axis Offset parameter allows for scaling the curl cylinder larger or smaller without rolling more or less of the object further into the cylinder – instead it will cause the curled part of the object to scale and distort to the new size.

The Bend 1 and 2 controls provide a way to to bend the object at the point of Curl 1 and Curl 2. The bend(s) are applied along the alternate access from the curl.

The Resolution parameter controls how many curl points the deformer uses to internally calculate the curl. In most cases there is no reason to change this parameter from its default, but in some cases it is possible to make the curl appear smoother by increasing the Resolution value.

The Curl Type popup menu offers 2 choices: 3D or Flat. The default choice of 3D will curl the object while maintaining its thickness while the Flat choice will flatten the object at the curl points

 

Flatten:

 

Mesh Chaos:

 

Mesh Shatter:

Polygon Count

While it is not a parameter within the deformer itself (Polygon Count is a parameter in the Render group), the Shatter deformer shatters 3D objects based on the polygons / vertices that make up the geometry mesh of the shape, so the Polygon Count value (tesselation) of the object has a significant effect on the appearance of the shatter effect. Higher Polygon Count values result in more overall shatter pieces that are smaller, and lower Polygon Count values result in less overall pieces that are bigger. Lower Polygon Count values also result in faster performance. There are also ways to affect the size and number of the pieces from within the Shatter deformer itself.

 

Crack Mode, Crackability, and Crack Adjust

The Crackability parameter determines the size of the pieces with higher values resulting in smaller pieces and lower values resulting in larger pieces. Also, very low Crackability values can result in some parts of the object not being affected by the shatter (not being Crackable) at all. The Crack Adjust parameter affects the shatter in different ways depending on which Crack Mode is being used (explained in more detail in the bullet points below). The Crack Mode popup menu includes 5 modes. Each Crack Mode has a unique way of influencing how the object will shatter in terms of how many places it cracks and where it cracks while shattering ;

  • Random mode creates apparently randomly placed cracks. In this mode, the Crack Adjust parameter has no effect.
  • Crack Points mode creates cracks that include cracks in areas of the geometry where various parts are connected. For example in an extruded shape crack points would include the place where the front face meets the bevel, where the bevel meets the depth face, etc.
  • Falloff Crack Points mode is similar to Crack Points, but falloff means the Crackabilitydecreases farther from the Crack Points which can be used to create a more realistic shatter effect in some cases.
  • Horizontal Lines makes horizontal cuts through the mesh creating alternating horizontal lines of bigger and smaller pieces and the Crack Adjust parameter can be used to increase or decrease the number of lines.
  • Angular Cut breaks the mesh at all points where the mesh edges are a certain angle, while Crack Adjust and Crackability determine what angle that is and how close to the angle they have to be in order to break.

Extruded Text 13

 

Velocity ModeVelocity MinimumVelocity VariationExplosive Forceand Gravity

The Velocity Mode popup menu offers 12 options for determining the direction the shatter pieces will move in relation to the object as it shatters. The Velocity Modes are ;

  • Random
  • Outward
  • Inward
  • Spiral CW (Clockwise)
  • Spiral CCW (Counter-Clockwise)
  • Left-Right
  • Left
  • Right
  • Up
  • Down
  • Back
  • Forward

Velocity Minimum determines the minimum velocity for the slowest of the shatter pieces, while VelocityVariation determines how varied the velocity is between all the pieces, and also acts as a maximum velocity control. Explosive Force provides an easy way to alter the overall velocity curve so there is a burst of speed as the piece first shatters away from the main shape – the Explosive Force also gives a similar speed burst to the Spin Speed of the pieces which makes the explosive feeling of the shatter more convincing. Gravity exerts a pull on the shatter pieces (unless it is set to zero), and although it is outside of the slider range it is possible to scrub the numeric entry field or enter negative Gravity values to apply reverse gravity. To have no velocity to the shatter (so the object seems to crumble) set both Velocity Minimum and VelocityVariation to zero, and make sure there is some gravity value applied.

 

Scatter Wipe ModeWipe Timeand Scatter Option

It is possible to have the shatter effect progressively wipe from one part of the object to another rather than having the whole object shatter at once. This can be done by choosing one of the Scatter Wipe modes. The Scatter Wipe Mode popup menu offers 12 options for determining the direction the wipe will move in relation to the object. The Scatter Wipe Modes are:

  • None (no wipe, object will shatter all at once)
  • Left – Right
  • Right – Left
  • Top – Bottom
  • Bottom – Top
  • Back – Front
  • Front – Back
  • Random
  • Small – Large (small pieces first, followed by large)
  • Large – Small (large pieces first, followed by small)
  • Inside – Out
  • Outside – In

Wipe Time determines how long the wipe takes from start to finish, with higher values resulting in longer wipes and lower values resulting in shorter wipes. The Scatter Option parameter is relevant when applying a Scatter Wipe to an object that includes multiple parts (like Extruded Text characters) ; in this case, the Scatter Option Smooth choice results in a wipe that moves across  all the parts as if they were one large whole, while the Discreet choice results in a wipe that acts as several individual wipes that move simultaneously across each part. The difference between the Smooth and Discreet Scatter Options is illustrated using Extruded Text immediately below.

 

 

Displace

The Displace parameter allows for pushing the shatter pieces out away from (or in toward) the center of the object. Positive Values push the pieces outward and negative values pull the pieces inward. This displacement is in addition to whatever shattering is going on based on other deformer parameters.

 

Keep Threshold

The Keep Threshold parameter allows for making it so some percentage of the shatter pieces stay in place rather than shattering away from the original object. Adjusting this parameter with various combinations of Crack Modes, Crackability, and Crack Adjust can give some interesting results.

 

Spin DirectionSpin Speed, and Spin Character

The Spin Direction popup menu includes 7 options for determining which direction the shatter pieces will rotate as they shatter from the original object. The Spin Directions are ;

  • RandomAll (all pieces randomly rotating)
  • TumbleForward (all pieces tumbling on the X axis in one direction)
  • TumbleBoth (some pieces tumbling on the X axis in one direction and some tumbling on the X axis in the opposite direction)
  • SpinForward (all pieces spinning on the Y axis in one direction)
  • SpinBoth (some pieces spinning on the Y axis in one direction and some spinning on the Y axis in the opposite direction)
  • RotateForward (all pieces rotating on the Z axis in one direction)
  • RotateBoth (some pieces rotating on the Z axis in one direction and some rotating on the Z axis in the opposite direction)

The Spin Speed parameter determines how fast and in which direction the shatter pieces rotate – positive values will cause a piece to rotate in one direction while negative values will result in that piece rotating in the opposite direction, and the rotation will be faster the further away from zero the value is. The Spin Character parameter defines a gradient that maps the difference in spin speed between the largest and smallest shatter pieces, allowing for having the larger pieces spin faster. Since Spin Characterelates to Spin Speed, it is suggested to adjust these 2 parameters together in relation to each other.

 

Time Scale, Time Mode, and Manual Time

By default the shatter effect is set to auto-animate (with Time Mode set to Automated) so no interpolation keyframes are necessary for the object to shatter over time. When the shatter is AutomatedTime Scale allows for slowing down or speeding up the overall speed of the shatter. As the parameter name indicates, Time Scale affects the whole time scale of the effect, so it will also affect the timing of a Scatter Wipe (if it is enabled) as well as the Spin Speed of the pieces, and even the effects of Gravity – so it is suggested that these other speed & time related parameters should be adjusted in conjunction with Time Scale. There are 4 Time Mode choices which are ;

  • Automated (auto-animation that obeys Time Scale parameter)
  • Manual (animation progresses according to the Manual Time parameter and ignores Time Scale parameter)
  • Manual Move (the Velocity based movement and Scatter Wipe time progress according to the Manual Time parameter, but the Spin Speed behaves as Automated)
  • Manual Spin (the Spin Speed progresses according to the Manual Time parameter, but the Velocity based movement and Scatter Wipe time behave as Automated)

Since the Automated Time Mode always does a forward shatter (Time Scale does not accept negative values), using the Manual Time mode (animating from a higher to lower Manual Timevalue) is suggested for creating reverse shatter effects.

 

Random Seed

The Random Seed parameter allows for tweaking the shatter to get a different result without changing any of the other significant parameters that create the look of the effect. This can be useful to help alter the shatter for a particular frame(s) while auto- animating, and it is also very useful for cases where there are multiple objects each using the same Shatter – since an identical appearance can be avoided by simply using different Random Seed values for each instance of the effect. This is a parameter that is left static in most common uses, since animating it will not result in a smoothly animating shatter.

 

Model Displacer:

 

Pre-Transform:

 

Pulse:

The Pulse deformer offers several different deformations (in some cases similar to those found in other deformers) and offers a quick way to apply these deformations using repetitive auto-animation back and forth within a user determined range to allow for convenient creation of pulse like animations without requiring keyframing. The Pulse animation oscillates between the original undeformed object and the deformed object.

 

Effect Type

The Effect Type popup menu determines which kind of deformation will be applied to the object. There are 8 Effect Type choices ; Bulge, Deform, and Lumpy are variations of a Bulge or sphereize type of effect. Bend, Twist, and Spin do exactly what the parameter names suggest with the Bend and Twist deformations being like those described previously in the Bend-Taper-Twist deformer, and the Spin choice applying a simple spin on the Y axis. Bounce moves the object up and down on the Y axis and Approach moves it back and forth on the Z axis.

 

Pulse Type

The Pulse Type popup menu determines the animation curve of the pulse cycle as the deformation animates from the original undeformed object to the most deformed state (determined by Amplitude parameter) and back again. There are 9 Pulse Type choices ;

  • Breathing creates a pulse where the animation accelerates as it moves away from an extreme and decelerates as it gets closer to an extreme, with a slight pause between each back and forth.
  • Elastic pulse is similar to Breathing except with no pause between each back and forth animation.
  • Beat pulse decelerates as it moves away from the original undeformed object and uses linear interpolation (even speed) as it animates from the extreme back to the original – with no pause.
  • Bop pulse decelerates as it moves away from the original undeformed object and accelerates as it animates from the extreme back to the original – with a pause between pulses.
  • Uneven pulse is like elastic but the amplitude of the pulse varies so that some pulses are stronger than others.
  • Jerky pulse is like Elastic with a pause added midway between the undeformed and most deformed states, and the interpolation is such that it eases in and out of the extra pause.
  • Random pulse will cause the deformation to jump between various values. Using this Pulse Type the Amplitude parameter has no effect (the Random Pulse automatically uses amplitude values between zero and 100). The animation jumps between values using Hold style interpolation – meaning that it snaps between states rather than smoothly animating between them.
  • Snap pulse will snap back and forth between the original undeformed object and the most deformed state. The animation jumps between values using Hold style interpolation – meaning that it snaps between states rather than smoothly animating between them.
  • Paused pulse disables the pulsing auto-animation and the Frequency and Phase parameters have no effect using this Pulse Type. The other parameters such as Amplitude can still be used to adjust the static effect.

 

Amplitude, Frequency, and Phase

The Amplitude parameter determines how much of the deformation is applied at the most deformed point in the pulse animation. Although it is outside of the slider range it is possible to scrub the numeric entry field or enter negative Amplitude values to reverse the direction of the deformation. The Frequency parameter determines the frequency of pulses, with higher values resulting in more frequent pulses and lower values resulting in less frequent pulses. The Phaseparameter allows for offsetting the phase of the auto-animated pulse. It is also possible to manually drive the pulse (and animate its frequency) by setting the Frequency parameter to zero and animating the Phase parameter with keyframes.

 

Center Offset X and Y, Radius Adjust

The Center Offset X and Y parameters allow for offsetting the center of the deformation in X and Y space, while Radius Adjust determines the the size of the area in which the deformation is applied. When using the Spin Effect TypeRadius Adjust has no effect.

 

Ripple Z Rings:

Ripple Z Rings is similar to the Ripple Deformer seen in other 3D Objects. It allows us to apply a ripple effect along the Z plane of the object to create waves and distortions in our object.

 

Center X and Y determine the X/Y center point for the ripple effect. By adjusting the values, we can reposition the center point anywhere in our effect.

Since the ripple automatically defaults to a perfectly round circle the Stretch parameter allows us to distort and elongate the ripple in either direction resulting in an oval shape ripple.

Center X/Y and Stretch can work together to create wave-like effects, including a horizontal or vertical wave.

 

By default, Ripple Z Rings auto-animates so the Ripple Phase parameter allows us to offset the phase of the ripple auto- animation allowing for more control over when and where the waves appear.

The Animation Speed parameter determines the speed of the ripple auto-animation with negative values animating the ripples outward from the center and positive values animating in the reverse direction, with values farther away from zero being faster and values closer to zero being slower.

TIP: It is also possible to manually drive the ripple by setting the Animation Speed to zero and animating the Ripple Phase parameter with keyframes.

 

The Wave Height or amplitude adjusts the height of the individual waves, with higher values resulting in larger waves.

Wave Frequency, determines the frequency of the waves, or how far apart from each other they are.

Amplitude determines the height of the waves and Frequency determines the frequency of waves. Adjusting one of these parameters has some effect on the other so it is recommended to adjust them in relation to each other to get the desired result.

 

Slice/Stretch:

 

Un-Deform:


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BCC DVE Basic
BCC Damaged TV
BCC Damaged TV Dissolve
BCC DeGrain
BCC DeNoise
BCC Deinterlace
BCC Directional Blur
BCC Displacement Map
BCC Drop Shadow
BCC Dropout Fixer
BCC Dust and Scratches
BCC Dv Fixer
BCC Edge Grunge
BCC Edge Lighting
BCC Effects List
BCC Emboss
BCC Extruded EPS
BCC Extruded Spline
BCC Extruded Text
BCC FAQ
BCC FX Browser
BCC Fast Film Glow
BCC Fast Film Glow Dissolve
BCC Fast Film Process
BCC Fast Flipper
BCC Fast Lens Blur
BCC Film Damage
BCC Film Glow
BCC Film Glow Dissolve
BCC Film Grain
BCC Film Process
BCC Fire
BCC Flicker Fixer
BCC Flutter Cut
BCC Fractal Noise
BCC Gaussian Blur
BCC Glare
BCC Glint
BCC Glitter
BCC Glow
BCC Glow Alpha Edges
BCC Glow Matte
BCC Gradient
BCC Granite
BCC Grid Wipe
BCC Grunge
BCC Halftone
BCC Hue-Sat-Lightness
BCC Invert Solarize
BCC Jitter
BCC Jitter Basic
BCC LED
BCC Laser Beam
BCC Layer Deformer
BCC Lens Blur
BCC Lens Blur Dissolve
BCC Lens Correction
BCC Lens Distortion Wipe
BCC Lens Flare
BCC Lens Flare 3D
BCC Lens Flare Advanced
BCC Lens Flare Dissolve
BCC Lens Flare Round
BCC Lens Flare Spiked
BCC Lens Flash
BCC Lens Shape
BCC Lens Transition
BCC Levels Gamma
BCC Light Leaks
BCC Light Leaks Dissolve
BCC Light Matte
BCC Light Sweep
BCC Light Wipe
BCC Light Wrap
BCC Light Zoom
BCC Lightning
BCC Linear Color Key
BCC Linear Luma Key
BCC Linear Wipe
BCC Looper
BCC Magic Sharp
BCC Make Alpha Key
BCC Match Grain
BCC Match Move
BCC Matte Choker
BCC Matte Cleanup
BCC Median
BCC Misalignment
BCC Mixed Colors
BCC Morph
BCC Mosaic
BCC Motion Blur
BCC Motion Key
BCC Motion Tracker
BCC Motion Tracker AE
BCC Motion Tracker Avid
BCC Motion Tracker FCP
BCC Motion Tracker Motion
BCC Motion Tracker PRM
BCC Motion Tracker Red
BCC Motion Tracker Resolve
BCC Motion Tracker Vegas
BCC Multi Shadow
BCC Multi Stretch Wipe
BCC Multi Stripe Wipe
BCC MultiTone Mix
BCC Noise Map
BCC Noise Map 2
BCC Noise Reduction
BCC Optical Flow
BCC Optical Stabilizer
BCC Organic Strands
BCC Overview in Adobe
BCC Overview in Avid
BCC Overview in FCP
BCC Overview in Resolve
BCC Overview in Sony Vegas
BCC Page Turn
BCC Pan And Zoom
BCC Particle Array 3D
BCC Particle Emitter 3D
BCC Particle Illusion
BCC Particle System
BCC Pencil Sketch
BCC Pin Art 3D
BCC Pinning Controls
BCC Pixel Chooser
BCC Pixel Fixer
BCC PixelChooser – Legacy
BCC Polar Displacement
BCC Posterize
BCC Posterize Time
BCC Preferences
BCC Premult
BCC Presets
BCC Primatte Studio
BCC Prism
BCC Pyramid Blur
BCC RGB Blend
BCC RGB Edges
BCC RGB Pixel Noise
BCC Radial Blur
BCC Radial Wipe
BCC Rain
BCC Rays
BCC Rays Cartoon
BCC Rays Dissolve
BCC Rays Puffy
BCC Rays Radiant Edges
BCC Rays Radiant Spotlight
BCC Rays Ring
BCC Rays Ripply
BCC Rays Streaky
BCC Rays Textured
BCC Rays Wedge
BCC Rectangular Wipe
BCC Reframer
BCC Remover
BCC Reptilian
BCC Reverse Spotlight
BCC Ribbon Wipe
BCC Rings Wipe
BCC Ripple
BCC Ripple Dissolve
BCC Rock
BCC Rough Glow
BCC Safe Colors
BCC Scanline
BCC Scatterize
BCC Sequencer
BCC Smooth Tone
BCC Snow
BCC Sparks
BCC Sphere
BCC Sphere Transition
BCC Spiral Blur
BCC Spotlight
BCC Spray Paint Noise
BCC Stage Light
BCC Star Matte
BCC Stars
BCC Steel Plate
BCC Super Blend
BCC Swish Pan
BCC Temporal Blur
BCC Textured Wipe
BCC Tile Mosaic
BCC Tile Wipe
BCC Time Displacement
BCC Title Studio
BCC Trails
BCC Trails Basic
BCC Tritone
BCC Tritone Dissolve
BCC Turbulence
BCC Twirl
BCC Twister
BCC Two Strip Color
BCC Two Way Key
BCC Type On Text
BCC Unsharp Mask
BCC UpRez
BCC User Guide
BCC VR Blur
BCC VR Flicker Fixer
BCC VR Insert
BCC VR Reorient
BCC VR Sharpen
BCC Vector Blur Dissolve
BCC Vector Displacement
BCC Veined Marble
BCC Velocity Remap
BCC Video Glitch
BCC Video Morph
BCC VideoScope
BCC Vignette
BCC Vignette Wipe
BCC Warp
BCC Water Color
BCC Water Waves Dissolve
BCC Wave
BCC Weave
BCC Wild Cards
BCC Wire Remover
BCC WitnessProtection
BCC Wood Grain
BCC Wooden Planks
BCC Z Space I
BCC Z Space II
BCC Z Space III
BCC Z-Blur
Removed Gradient Parameters
Title Studio - The Title Container Parameter Guide
Title Studio Basics
Title Studio: Animating an Object Using Keyframes
Title Studio: Creating A Fade Effect
Title Studio: Creating a Credit Roll
Title Studio: Creating a Credit Roll Part Two
Title Studio: Creating a Type on Effect with Title Containers
Title Studio: Image Processors
Title Studio: Image Processors - Blur Shaders
Title Studio: Image Processors - Glow Shaders
Title Studio: Image Processors - Gradient Shaders
Title Studio: Image Processors - Key Shaders
Title Studio: Image Processors - Light Rays
Title Studio: Image Processors - Light Sweep
Title Studio: Image Processors - Scan Lines
Title Studio: Image Processors - Spotlight
Title Studio: Image Processors - Wipe Shaders
Title Studio: Image Processors: Linear Ripple
Title Studio: Keyframe Palette
Title Studio: Scene Container Parameter Guide
Title Studio: The Animation Tab
Title Studio: The Camera Tab
Title Studio: The Composite Tab
Title Studio: The Container Position Tab
Title Studio: The History Palette
Title Studio: The Info Window
Title Studio: The Lights Tab
Title Studio: The Preferences Panel
Title Studio: The Project Settings Window
Title Studio: The Render Tab
Title Studio: The Text Tool
Title Studio: The Tools Window
Title Studio: The User Marks Window
Title Studio: Understanding Track Structure
Title Studio: Working With Deformers
Title Studio: Working With Image Processor Shaders
Title Studio: Working With Spline Media
Title Studio: Working with the Composite Window
Title Studio: Working with the Controls Window
Title Studio: Working with the Timeline Window

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