AOTC
A Complete Unknown
January 16, 2025
Today on Art of the Cut we speak with Scott Morris and Oscar-winning editor Andrew Buckland, ACE about editing James Mangold’s A Complete Unknown.
Conclave
January 9, 2025
Today on Art of the Cut, we speak with Nick Emerson about editing Conclave, for which he’s nominated for an ACE Eddie for Best Edited Feature Film, Dramatic/Theatrical.
Nosferatu
January 6, 2025
Today on Art of the Cut we speak with Louise Ford, ACE about editing Robert Eggers’ Nosferatu.
Mufasa: The Lion King
December 26, 2024
Today on Art of the Cut we speak with Oscar-nominee Joi McMillon, ACE about the editing of Barry Jenkins’ Mufasa: The Lion King.
September 5
December 19, 2024
Today on Art of the Cut we speak with Hansjörg Weißbrich about editing September 5, which has been nominated for a Golden Globe for Best Picture. It was also nominated for Best Editing by the Independent Spirit Awards and tied for the win for the LA Film Critics Award for Best editing.
Blitz
December 12, 2024
Today on Art of the Cut we speak with Oscar-nominee Peter Sciberras, ACE about editing director Steve McQueen’s film, “Blitz.” Peter was last on Art of the Cut for his work on Jane Campion’s “Power of the Dog” for which he was nominated for an Oscar and an ACE Eddie. His other films include The Rover, The King and Foe, among many others.
Gladiator II
December 5, 2024
Today on Art of the Cut, we speak with Sam Restivo and Oscar-winning editor Claire Simpson about their editing of Ridley Scott’s Gladiator II.
Emilia Perez
November 27, 2024
Today on Art of the Cut we speak with Oscar nominee, Juliette Welfling about Jacques Audiard’s film, Emilia Perez, currently on Netflix.
Wicked
November 21, 2024
Today, we’re talking with Myron Kerstein, ACE, about teaming up again with director Jon Chu to edit the cinematic adaptation of the Broadway hit Wicked.
The Wild Robot
November 14, 2024
Mary’s editing career began as an assistant editor on the 1991 animated film “Beauty and the Beast.” She’s worked in sound editing and VFX editing. Did additional editing on “Kung Fu Panda” and was an associate editor on “How to Train Your Dragon” and “The Croods.” She was Second Editor on “The Boss Baby” and also worked on subsequent “How To Train Your Dragon,” “Croods” and “Boss Baby” films.
Greatest Night in Pop
November 7, 2024
Today on Art of the Cut, we’re talking with the editors of Netflix’s Greatest Night in Pop documentary. They also were part of the editing team of Mountain Queen: The Summits of Lhakpa Sherpa.
Young Woman and the Sea
October 31, 2024
Una was first nominated for an editing BAFTA 15 years ago. And again in 2013 and THREE TIMES in 2015. She won a BAFTA for Three Girls and was nominated for another BAFTA and an ACE Eddie for editing Kenneth Branagh’s Belfast which we discussed right here on Art of the Cut. She was also on Art of the Cut previously for her work on The Crown and for Death on the Nile.
Welcome to Wrexham
October 24, 2024
On Art of the Cut today, editors Michael Anthony Brown and Michael Oliver talk about their Emmy-winning work on Welcome to Wrexham.
Saturday Night
October 16, 2024
Today on Art of the Cut, editors Nathan Orloff and Shane Reid discuss editing Jason Reitman’s Saturday Night - a film recounting the chaos just before going LIVE with the first episode of Saturday Night Live.
Joker: Folie à Deux
October 11, 2024
Today on Art of the Cut, editor Jeff Groth, ACE, discusses editing Joker: Folie a Deux. For those of you who didn’t take French - that’s “Madness between two.”
Megalopolis
October 3, 2024
Today on Art of the Cut, editor Cam McLauchlin discusses working with legendary filmmaker Francis Ford Coppola on his film Megalopolis.
The Instigators
September 25, 2024
Today on Art of the Cut, we discuss editing the Apple Plus feature film The Instigators with three editors, including Oscar-winning editor William Goldenberg, ACE, Oscar-nominee Tatiana Riegel, ACE, and Oscar-nominee Saar Klein.
Longlegs
September 19, 2024
Today on Art of the Cut, we are discussing cutting horror and suspense with Greg Ng and Graham Fortin, who edited this summer’s Longlegs, which is now available on VOD after its theatrical run.
Beetlejuice Beetlejuice
September 11, 2024
Today on Art of the Cut we are discussing Tim Burton’s Beetlejuice Beetlejuice with editor Jay Prychidny, CCE.
Greedy People
September 5, 2024
Today on Art of the Cut, we talk with editor Jamie Kirkpatrick, ACE and one of his assistant editors, Amanda K. Romero about editing the film, “Greedy People.”
Alien Romulus
August 29, 2024
Oscar-nominated editor Jake Roberts, ACE, discusses the science behind the jump scare, the pacing required to build tension, and how they shot special effects in the cutting room.
Beckham
August 23, 2024
Emmy, ACE, and BAFTA-winning editor, Michael Harte, ACE, discusses his Emmy-nominated documentary series “Beckham,” including discussions of the need to know where you are starting, the importance of archival that speaks in conversation with the interviews, and the all-important power of the truth.