In the first of his 3-part series on BCC 9 in Premiere Pro CC, Eran Stern (Stern FX) creates an opening title sequence for an indie you can imagine premiering at Sundance.
Get an inside look at his creative process and workflow. Apply BCC 2-Strip Color and BCC Vignette to set the tone of the overall sequence. Add BCC Fast Film Glow to the titles and composite over the footage to create more depth. Use BCC Displacement Map, add transitions, and lots more.
Filters Used Include: BCC 2-Strip Color , BCC Burnt Film, BCC Color Match , BCC Correct Selected Color , BCC Displacement Map, BCC Fast Film Glow , BCC Hue-Sat-Lightness , BCC Levels Gamma , BCC Linear Luma Key , BCC Pyramid Blur , and BCC Vignette
Featured Units: Art Looks, Blur And Sharpen, Color and Tone, Film Style
Footage courtesy: Tzachi Asher and Videoblocks
Music courtesy: Premium Beat
Discover how to use Mocha Pro’s 3D camera solver with AI masking and Sapphire’s UltraZap to replace a background in 3D. Design director John Dickinson...
Mocha Pro and After Effects: Background Swap
Nick Harauz shares why Looks — new in Optics 2025 — is a great option to easily customize and save multi-layer effects and quickly apply them to any p...
How to Save Multiple Optics Effects as Looks
Product manager Martin Brennand shares how to track multiple sides of a 3D moving object and solve it as one and what you should consider when tackli...
Mocha Pro: Grouping Tracks for Moving Objects