Product manager Martin Brennand shows you why workflow flexibility is the hallmark of good tracking in Mocha Pro. Discover how planar tracks and PowerMesh tracks can be done as separate passes.
Discover how to use Mocha Pro’s 3D camera solver with AI masking and Sapphire’s UltraZap to replace a background in 3D. Design director John Dickinson...
Mocha Pro and After Effects: Background Swap
Nick Harauz shares why Looks — new in Optics 2025 — is a great option to easily customize and save multi-layer effects and quickly apply them to any p...
How to Save Multiple Optics Effects as Looks
Product manager Martin Brennand shares how to track multiple sides of a 3D moving object and solve it as one and what you should consider when tackli...
Mocha Pro: Grouping Tracks for Moving Objects