Light.

Determines the blend mode to be used to add the light.

The light is added to your image.

The light is combined with the image using a Screen blend mode. This looks kind of like the Add blend mode, but highlights are retained.

Sets the intensity of the light.

Displaces the light source by the luminance values of the image. This “fakes” the effect of light wrapping over objects in the image.

Sets the softness of the light.

Photographers, cinematographers and lighting designers use colored filters or gels in front of lights. Whatever mood you wish to create, we have the colors needed to achieve the effect. Select one of the Gels presets from the pop-up menu.

Sets the color of the light through the use of a standard color picker.

The light source can be added to the matte using a variety of Blend modes. Go to Blend Modes for explanations of the various modes.

I like the Multiply blend mode for combining the light source with the matte because it only puts the light source within the areas of the matte.

Sets the opacity of the light source.

The aspect ratio of the light source.

The un-blurred radius of the light source.

The blurred edge radius.

Moves the falloff towards the light centerpoint.

Inverts the light source.

Transform your light pattern using Position, Scale, Rotate, Corner-Pin, Shear and Crop controls. Go to the Transform section of Common Filter Controls to see how the Transform Controls work.

A matte can be used to limit the area of added light. Wherever there is white in the matte is where the light will be added. When using ReLight, it is usually helpful to blur the matte. Go to the Matte parameters to see how they work.