Looking to improve your Boris skills? The tutorials below can can help you achieve your goals and improve your video effects projects. If there is a tutorial you would like to see please contact our webmaster with your suggestions.
| RED Tutorials |
|
|
Creating a Title Paint-On Effect
|
From Business Card to Extruded Logo
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Custom Wedding Transitions with RED and FX
|
|
|
|
|
|
|
|
|
|
|
Designing a Broadcast Ski Report with Boris RED 4.1
|
|
|
Exploring Boris RED's Motion Path Filter
|
Creating Lower Thirds Using the Boris RED 4 Library Browser Effect
|
|
|
Working with the Library Browser Template Mode
|
Creating 3D Text with a Bump Map
|
|
|
|
|
Fun with EPS Files and 3D Logos, part 2
|
Creating a Text Generator Effect |
Animating EPS Files in Boris RED |
Engrossing Paint, part 1: Paint-on Animation with Boris RED
|
Engrossing Paint, part 2: Engrossing Particles |
|
|
|
|
|
|
|
|
Real Title Animation with Boris |
Confessions of a Two-Dimensional Man |
| FX Tutorials |
Custom Wedding Transitions with FX
|
|
|
|
|
Organic Transitions with Boris FX
|
|
|
|
|
| Graffiti Tutorials |
|
|
|
|
Create Networks-Style Broadcast Graphics |
Custom Text Backdrops with Boris Graffiti |
|
|
Creating 3D Text with a Bump Map |
|
|
|
|
The Easiest Star Wars Roll in the Galaxy
Step 1: Create your text. |
Declarationof Resolution Independence |
|
|
|
|
|
|
| Blue Tutorials |
|
|
Applying Blue as a plugin in Adobe Premiere Pro
|
|
|
|
|
|
|
Importing 3D Models into Boris Blue
|
| Continuum Complete AVX Tutorials |
Working with the Optical Stabilizer Filter
|
Corner Pin Compositing Inside Avid
|
Working with the BCC AVX Motion Key Filter
|
Working with the BCC AVX Corner Pin Filter
|
Creating Precise Keys in Continuum Complete AVX
|
Applying Multiple Filters to Avid Titles
|
| Continuum Complete Tutorials for Final Cut Pro |
Make it Snow with Continuum Complete in Apple Final Cut Pro
|
Working with the Prism Filter in Final Cut Pro
|
Working with the LED Filter in Final Cut Pro
|
Working with the LED Filter in Final Cut Pro Part 2
|
Working with the LED Filter in Final Cut Pro Part 3
|
Motion Tracking Parameters in Final Cut Pro
|
Applying BCC Effects as Transitions in Final Cut Pro |
Creating Precise Keys in Continuum Complete |
| Continuum Complete Tutorials for After Effects |
|
|
Working with the BCC Film Process Filter
|
Working with the BCC Deinterlace Filter
|
Working with the BCC Match Grain Filter
|
Creating Precise Keys in Continuum Complete |
| Continuum Complete Tutorials for Premiere Pro |
Make it Snow with Continuum Complete in Adobe Premiere Pro
|
Create Animated Video Backgrounds with BCC 5 AE and Adobe Premiere Pro CS3
|
Removing a Moving Object with the Motion Key Filter
|
Applying BCC Filters as Transitions in Premiere Pro |
Creating Precise Keys in Continuum Complete |
Did you know that your NLE has a powerful paint system capable of creating colored glowing light strokes? But only if you run Boris RED or Avid FX as a plug-in.
One of the more interesting text animation techniques is a paint-on effect where brush strokes reveal a title on the screen. To create this effect I chose Boris RED 4.2 for its comprehensive paint features.
If your client is asking for a 3D extruded logo animation in his video and all he has for company graphics is his business card you better dig deep into your toolbox. And you better find a copy of Boris RED in it because that is what you'll need to get this tough job done.
How does the chroma key work? The foreground object has to be separately filmed in front of an evenly colored and lit backing. The footage is brought in the compositing or editing system to be combined with the new background video or still.
Watch a video tutorial on how to use the powerful Boris RED Paint System.
Watch a video tutorial on how to create a extruded 3D logo from an imported 2D image file.
With the help of some 'Red Magic,' create a visual illustration that helped Vivek Narayan
win an Emmy for Editing and also bagged the Emmy for Investigative Report at the 2006 Rocky Mountain Emmy Awards.
Watch a video tutorial on how to remove unwanted motion so your clip appears to be shot with a lock down camera.
Watch a video tutorial on how to automated the process of animating objects along a bezier path in 3D space.
Watch a video tutorial on how to remove a moving forground object from a clip.
Summer is packed with weddings. Wedding bells ring across the country and this is where we draw the inspiration for our next tutorial. 
Watch a video tutorial on how to import industry standard subtitle files directly into the timeline.
Watch a video tutorial on how to clone part of one image clip onto itself to fill out the image.
Watch a video tutorial on how to clone part of one image clip onto itself and then and then apply a motion tracker to the clone so that the clone moves with the original clip.
Watch a video tutorial on how to clone part of one image clip onto a second clip.
In no time at all, John Lafauce from Boris FX will walk you through the steps necessary to create a broadcast-worthy ski report that just might make you want to head for the slopes!
Watch a video tutorial on how to export 16 bit media from RED 
This tutorial demonstrates how to easily animate and fly a computer generated navy jet using the Boris Red 4.0 Motion Path filter.
This tutorial demonstrates how to apply and customize a new, pre-made lower third graphic from Boris' extensive selection of Keyframe Library Effects.
Boris FX, Graffiti and RED all offer numerous masking options. This tutorial uses a Spline Object to create an animating custom mask. You can use any media that you like to complete this tutorial.
Beginning with Red version 3.02, you can use the Library Browser in a special Template mode. Template mode allows you tocreate effects directly in the Library Browser.
In addition to reflection maps and textures, both RED and Graffiti allow you to apply bump maps to to 3D text and shapes.
Both Red 3GL and Graffiti 3 let you animate the splines that make up each character in your text. Let’s start by creating some text... 
We all know how boring business graphics can be to create (and to watch). In the old days, Boris FX had a tag line: "In Video Effects There Is Boring and There Is Boris." The goal of the 3D Chart generator is to live up to this old motto...
The "Animating EPS Files in Boris RED tutorial detailed animating an Adobe Illustrator EPS file using Red's vector animation tools. It was clearly something that a lot of users wanted to know, as the response was overwhelming. A number of questions came up more than once, so lets address them. 
Graffiti and RED's Generator tab lets you generate random text or numbers. You can lock each letter or number in position regardless of changes made to neighboring characters... 
Native vector text, a library of spline primitive shapes, powerful control over border and fill, and true vector masks are just a very few of the elements that make Red the most extensive vector animation application ever offered.
Boris RED's vector paint is very fast and easy to use, even though it offers a wide variety of features not found in other vector paint tools. These include fill, multiple strokes, and a much wider range of animatable parameters, such as color, brush size and opacity.
Adding the advanced 3D Particle System filter to Boris RED's vector paint offers titling possibilities you never imagined you'd have in your NLE. It's fast and it's easy....but doesn't look like it.
Among Red and Graffiti's Overshoot features is an easy way to add "bounce" to your titles. 
The same improvements to Motion Tracker have been added to the Motion Stabilizer filter. Combined with Red's vector paint and exceptionally powerful masking, you can salvage some of the worst footage imaginable...which we just happened to have handy for this tutorial.
Four trackers in one filter mean even more possibilities. Even better news? It's just as easy to use as the other motion filters.
See how easy it is to build great-looking Type On animations, which is one of Boris Red's most powerful features. Courtesy of The Creative COW. 
Boris Red lets you build elegant 3D animations without becoming a 3D expert. When you have one interface for every effects task, right in the middle of your workflow, that's when this whole convergence thing starts to be any fun at all. 
The Motion Stabilizer filter let's you stabilize shaky video. Motion trackers analyze one or more specified regions of motion then adjust the track's position to compensate. Playback appears smooth because the track moves incrementally to offset the unwanted motion. You can also stabilize just a portion of a track to correct isolated camera bumps.
Recent tutorials looked at how to using Boris FX filters to create uniquely artistic visual effects, such as charcoal and watercolor. This time, let's combine the two, using some of the filters in Boris FX to create create organic wipe transitions.
You won't believe how it easy it is to make your video look like it was drawn with colored pencils or charcoal, or painted with watercolors, using Boris FX! 
Combine two of FX's filters -- Fire and Burnt Film -- to create a Bonanza-style transition from within your NLE. Courtesy of Creative Mac (as above, this effect works the same way in Windows NLEs).
What is the oldest text animation effect in film history? You guessed right. It is the opening or closing credit roll. Traditionally a long page of text is rolled from the bottom of the screen revealing line after line. In the early days of cinematography a paper print was physically rolled before the film camera to produce this effect. Hence the name: Credit Roll. 
This tutorial focuses on using Boris Graffiti to generate animated titles within the Avid Editing environment and assumes that the Graffiti application has already been installed into your system. 
How do they make these network news lower thirds look so good? With the help of a premium broadcast graphics package such as Boris Graffiti it is actually very easy. And in this tutorial we will show you how it´s done. 
Tired of using the same text templates over and over again? They came bundled with your NLE and they looked great the first time you saw them but now you need something custom-made. A copy of Boris Graffiti can solve that problem. 
Even expert graphic artists have had few options to quickly create high-quality animated charts. Rather than trying to squeeze broadcast-quality results out of multimedia business applications, you can now tap into Boris Graffiti's 3D Chart feature. 
Boris Graffiti offers the powerful 3D titling insdie your NLE, with features including 3D text animated along paths with reflection maps and 3D cameras and lights. It's also an exceptionally powerful tool for animating 2D titles using 3D shapes
You're not going to believe how easy this is... Using Boris Graffiti or Boris RED:
A resolution independent titler means that you can change resolutions while you work for faster previews, but it also means you can include oversized documents as part of your title animations. You don't need to add titles if you don't want - simply use Graffiti to create pan-and-zoom, documentary style animations. 
Dive into Real Title Animation in Graffiti. We even include the finished 2D and 3D settings for some of the examples.
No, I'm not insane. At least not about this. Some very simple things will dramatically speed the setup of 3D text effects. 
Take advantage of the shapes in Boris Graffiti to quickly create advanced effects. This particular effect uses Graffiti's mapping capabilities (just the ticket for an effect with a globe in it), powerful lights and masking tools.
Check out this video tutorial to learn more about Blue's extrusion feature.
Learn how to use Boris Blue as a plugin inside of Adobe Premiere Pro.
Check out these movies showing Boris Blue being used by an experienced operator. The movies include sound describing the features of the product so make sure to listen to the audio while viewing them.
In this tutorial I'll show you how to create a camera pull transition similar to some the presets found in our library. In order to achieve this effect we'll need to use our new Target Camera and 3D split views.
The following tutorial exercises provide step-by-step instructions for creating various kinds of effects, while exploring many aspects of the Boris Blue user interface and functionality. The exercises are a good starting point if you’re unfamiliar with Boris Blue.
Even if you haven’t mastered 3D modeling, you can still add 3D impact to your projects. Blue is an ideal solution for 3D newbies since it lets you tap into a collection of shareware models in the .3ds and .obj formats. When you import 3D models individual geometry groups, texture maps and bump maps are preserved. Once imported,you can animate with drag-and-drop simplicity and customize the models with innovative pixel shaders. This tutorial uses a 3D model of a taxi that is available for download from 
This tutorial introduces the Corner Pin filter in BCC AVX. Several of the Corner Pin Tracker's powerful features are combined with other BCC AVX filters to create a realistic composite. This compositing primer places emphasis on workflow and techniques.
In this tutorial, you will use the BCC Motion Key filter to successfully remove a moving foreground object from a clip. In this particular case, the moving object that you want to remove is the silver car.
Continuum Complete and Continuum Complete AVX include native filters to create precise keys. This tutorial combines multiple filters to solve some complex (but common) keying issues. Although the tutorial uses four filters, BCC Chroma Key, BCC Matte Choker, BCC Color Balance and BCC Light Wrap, you can quickly create accurate keys. This is true even with difficult-to-key DV footage.
The Apply to Title option is one of the most compelling integration features of BCC AVX. Applying an effect to an Avid Title or Matte Key without affecting the background video is as simple as clicking a single button. You can also apply multiple filters to the same title.
What good is a snow effect if snow does not stick to horizontal surfaces in the shot? The BCC Snow filter can do that and provide many other mesmerizing looks for your winterly scenes. BCC Snow is part of just about every Boris product. Whether you are using Continuum Complete or Graffiti or RED or FX, BCC Snow is available in the Generator section of the package. It works especially well with the text captions where snow accumulates on top of the letters creating a natural outdoor look.
Save money on pre-made video backgrounds! Quickly design and animate your own unique video backgrounds by combining BCC 5 FxPlug's new Prism filter with your favorite Apple Final Cut Pro Generator..
In this exercise, we'll use Apple Final Cut Pro to generate an HD format show opener for a news program, such as we might see on the Larry King show, that incorporates a world map in the background, which has been treated with the BCC LED filter to appear as though it was made out of LED (light emitting diode) bulbs.
To continue the effect, we'll take the same map image and add a particle filter to make the lights appear as though they are being sprayed onto the wall, creating the blinking and glowing LED map over time.
So now that we have in place our wall of blinking lights as the backdrop, we'll add the show opener text.
Boris Continuum Complete filters can be used as transitions in Apple Final Cut Pro. Some effects such as the Wipe Transitions auto-animate from the outgoing to the incoming shot. For the remaining filters, you need to keyframe the transitions manually as described in this tutorial.
There are several BCC filters that were designed to produce the glow effect that seems to be so popular for sports broadcast and commercial spots. In this tutorial we will be using the After Effects version of BCC within Adobe CS3 package. The same BCC Glow filters are available for Avid and Final Cut editors with a similar workflow.
The BCC Film Process plug-in can help “filmize” digital video by deepening the color response range of the digital image to emulate film’s dynamic color range. It can also be used to color grade and mimic an variety of analog lens filters (e.g. Cokin, Tiffen, Hoya), optical processes, and special effects. 
The problem with interlaced images shown on a non-NTSC display is there can be errors when the two fields are synthesized into one frame. These errors are usually referred to as "the jaggies", “combing” or “teeth”, and are apparent in the moving parts of the image.
BCC Match Grain takes a snapshot of film-to-video ("telecined") media and generates a grain signature which can be used as a matching grain sample for a destination clip containing little or no grain. 
Save money on pre-made video backgrounds! Quickly design and animate your own unique video backgrounds by combining Boris Continuum Complete 5 AE's new Prism filter with your favorite Adobe Premiere Pro CS3 Generator.
Boris Continuum Complete filters can be used as transitions in Adobe Premiere Pro. Some effects such as the Wipe Transitions auto-animate from the outgoing to the incoming shot. For the remaining filters, you need to keyframe the transitions manually, as described in this tutorial.
Are you tired of solid stroke and soft shadow on your text styles? Do you need something unique and catchy for your project? The new FEC 5 from Boris FX may offer a fresh treatment for the old title or lower third.
In this tutorial you will create a living art gallery effect using FEC. "What is a living art gallery?" You will make a standard video clip appear like a painting on canvas, then you will pin the clip to a wall, hence the gallery. The tutorial uses three FEC filters, Min/Max, LensStar and PowerPin.